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GOLDEN BEAUTIES - INDIAN CINEMA




                                      GOLDEN BEAUTIES -INDIAN CINEMA


Beauty is boundless, has broad concept, conveys the enduring brightness of any woman by its creator and looking beautiful is important to everyone. Significantly, beauty is a basic combination of natural inner and outer traits, modulated with finest personal characteristics and distinctive qualities, evaluated aesthetically, appreciated and acknowledged universally.

We have witnessed prominent Indian actors with a gift of personal attributes in different eras. Celebrities with personal appeal, present the importance of social and cultural awareness with powerful impact, inspire masses, largely, women try to emulate fabulous performers. When we reflect about beautiful actresses of Indian cinema, unquestionably Madhubala by all means strikes as the most beautiful Indian actress. 

A classic and iconic beauty, Madhubala known as Venus of Indian cinema, was the soul of absolute tranquility, she was the definition of timeless poetry, her infectious laughter fostered joyful imagination for script writers, with her artfully sculptured face, she symbolized magnificence. Ethereal Madhubala, with gifted aura, was the epitome of beauty, immortalized as a prized jewel of India even in this century. 

Around similar time, beautiful Waheeda Rehman, a natural beauty with easy grace, perfectly embedded in black and white illustrations, personified exquisiteness, reverently prevails in sentimental and nostalgic journey of Indian cinema. 

Waheeda Rehman an eternal icon, versatile actress, perfect for creative imagination in poetic lyrics and classical literature, she is a symbol of confidence, poise, gentleness and civility. Waheeda Rehman elegantly flows in supremacy.

In late 60’s, a traditional beauty Hema Malini, bequeathed with the crown of ‘Dream Girl’ with glowing skin, became a household name in the country. During her reign in Indian films, with simple style, she relished colossal popularity as ‘Hema factor’ was widespread for decades. Hema’s charming personality with conviction, spirit and positive approach radiates happiness, with her classical dancing she exhilarates the same positive energy.

Aging gracefully, Hema Malini, a dignified woman sends familiar message of wisdom, perfection and total dedication with effective and outstanding example of her complete determination. 

In the times of Waheeda Rehman, the advent of extremely charming Tanuja, vivacious, vibrant, incredibly natural, activated an impish and delightful persona on screen. She had splendid sweetness and captivating innocence with winsome and mischievous smile. 

Tanuja known for her spontaneity with exceptional characteristics of astonishing charm, strength and uniqueness had an endearing personality, made a delectable sight on silver screen. 

Amidst talented contemporaries, Mumtaz created her inimitable identity, won millions of hearts, exercised tremendous influence in 70’s films, and she was a highly successful actress. Mumtaz had charming onscreen presence, stood on her own pedestal and competed easily with other female performers, gave biggest box office block busters.

Mumtaz was very attractive, spirited, bubbly, mischievous and strong-willed, highly captivating, she was always bright, cheerful, effervescent, adopted energetic lively approach for different roles. There was fire in Mumtaz’s talent and her quick adeptness and easy-going style won the masses.

 A smiling, happy Mumtaz was vivacious and glamourous with sweet smile, moved and swayed swiftly with her vigour and impishness, her trendy tight wrap saree style of 60’s, known as ‘Mumtaz Style Saree’ evoke the beautiful simplicity and sophistication of Mumtaz. At the height of her popularity, she quit the film world, yet the memorable image of Mumtaz is still fresh and firm. 

In the 70’s, stunning and enigmatic, Parveen Babi elucidated modern glamour in a refined way, extremely  modest about her looks, Parveen Babi was intelligent, classy, glamourous and first ever Indian actress to be on Time magazine in 1976. Parveen with shy and subtle smile, simply mesmerizes, presents an engaging magnetism on Time’s cover, and outshines all the Indian actresses who have  graced Time’s cover over the years.

Immensely impressive, Parveen Babi was a trailblazer of glamour, with her cosmopolitan outlook, broadened the notion of independent woman in contemporary society. 

Teen beauty Dimple Kapadia, with prominent dimpled chin was gorgeous as a teenager, heightened the feeling of romanticism among teenagers, became Nation’s heart throb instantly. She has restrained aura, more attractive without make up, reflects the familiar identity.

Dimple Kapadia, with very same appeal, portrays a striking image of her past, continues to retain the elixir of perpetual life and beauty.  

An awe-inspiring Aishwarya Rai, former ‘Miss World’ popularized India’s grandeur on World stage. Aishwarya, a sublime beauty, is a global icon for International brands, an effective ambassador derived applause and empowered herself earnestly. Aishwarya became India’s acclaimed logo, as influential ‘Ash’ globally.

Progressively, Aishwarya Rai conquered new peaks, she is idolized and regarded as a dazzling woman universally. 

A fresh-faced beauty in 70’s, Tina Munim was crowned “Femina Teen Princess” in 1975, represented India at Teenage International Contest in Aruba, was second runner-up. Delicately pretty Tina with innocent and lovely smile radiates happiness, her smile brightens up the day. She was very sweet, kindhearted, affable, popular, totally unpretentious and modest, Tina's natural beauty, attractiveness, freshness and glow, still dazzles.

Gorgeous Tina, always self-effulgent, possessed personal and bright charm with silky softness in movies.  

Their great natural beauty, with the simplicity of fine style generated magic on black and white and colored screens during different decades of Indian cinema. 

Onset of 80’s, classified the first ‘Diva’, charismatic Rekha as ‘Umrao’, swept the country with magnetic personality and extraordinary excellence. She has the power of delighting and attracting people with her artistic qualities and mannerism.  A divine diva, the only one to be known as Rekha to all age groups, expresses a sense of calm, harmony and induces an interesting fascination, perfectly retains the everlasting spark of continual delight.

Realistically, Rekha is dearly esteemed and cherished in classical archives of Indian cinema. 

The manifestation of unconventional Zeenat Aman, tagged forever as ‘Hare Rama Hare Krishna girl’, glamourous Zeenat, a trendsetter in glitz and glamour zone, was a dominant female protagonist. She is the custodian of legendary Asha Bhosle’s 70’s stirring melodies, which added more glamour … a source of vibrance and elation in the form of an attractive woman, strumming guitar, pulsating beats, enable us to marvel Zeenat.

Zeenat Aman is the soul of Asha’s unforgettable music, as melodies were fashioned to her glamour in terrific years of filmdom.

An attractive Kareena, a show stopper, introduced size Zero chapter in 2009, highlights an easy and comfortable style, creates and forms the basis of contemporary fashion sleekly.

Kareena Kapoor has been associated with her impressive style through the years and generates the impulse of fashion among women in this era.

Artists with charm and electrifying portrayals, Nargis, Meena Kumari, Sadhana, Sharmila, Priyanka a global personality, Raveena, Madhuri,Kajol and Tabu are highly established and popular performers, continue to attain  abundant success not only because of genuine public interest and ardent enthusiasm, but they enhance their skills through charm, inherent genius, attractive personality traits and incomparable performances. There is much public admiration about them, but still they prefer to see themselves as only artistes. 

At present, amongst new comers, self-confident and chirpy Sara Ali Khan, intelligent, talented with natural merits and hearty laughter, more attractive without make up, has potential to be highly successful. 

The significant difference of generations outlines a wide gap as the myth plays a decisive role in creating newcomers, youngsters or some performers with few movies, they want to be in hallowed world of showbiz, their constant craving for public attention with monotonous display of gym looks, airport looks, etc., remain ridiculously absurd. The representation of ‘Anarkali’ vibes (an actress labeled as Bollywood Superstar…); a bit of entertainment lightened the atmosphere in the present uncertain times. It is evident, some of them with subpar performances, without any credible features and inclination to film art and craft, repeatedly labelled as ‘digital’ DIVAS, the images are reworked, fabricated, promoted and publicized frequently, the fictional tactic persists and fracture the reality of ham actors. They may be fairly attractive but without inherent talent, may not fit into the film world.

The myth and fairy tale can be discouraging for some, the desire to become famous with quick and fanciful advancement is a drawback to aspirations, their dream to emulate and outshine established actors with facile approach, an unlikely stratagem in the real world of cinema.  Simply, in the realm of factuality, the talent can’t be transferred from reality to superficiality.

The originality, realistic and analytical wisdom, appreciative beauty and genius artistry of yesteryears Icons are enduringly rooted in our memory. We may never have legends again, the lofty brilliance and legacy of the Icons in the higher world of Indian cinema, is a part of our experience and cognizance. 

NOTE – THERE IS NO INTENDED RANKING IN THE ARTICLE.

Anuradha Singh
5th May,2020
a.singhlink@gmail.com
Copyright©2020 Anuradha Singh.
All rights reserved. This article or any portion thereof can not be reproduced
or used in any manner whatsoever without the express written permission of
the author.

My articles on the related subject are as follows...

Anuradha Singh (2021). PARVEEN BABI – HAPPY BIRTHDAY

https://asingh2019.blogspot.com/2021/04/parveen-babi-happy-birthday.html?m=1

Anuradha Singh (2021). PARVEEN BABI – AN ENCHANTING ENIGMA

https://asingh2019.blogspot.com/2021/01/parveen-babi-enchanting-enigma.html?m=1

Anuradha Singh (2020). ICONIC ROMANTIC PAIRS – INDIAN CINEMA https://asingh2019.blogspot.com/2020/06/iconic-romantic-pairs-indian-cinema_6.html?m=1

Anuradha Singh (2020). GOLDEN BEAUTIES - INDIAN CINEMA

https://asingh2019.blogspot.com/2020/05/golden-beauties-indian-cinema.html?m=1

Anuradha Singh (2019). A DAWN OF GLAMOUR: INDIAN CINEMA

https://asingh2019.blogspot.com/2019/07/a-dawn-of-glamour-in-indian-cinema.html?m=1

Anuradha Singh (2019). REKHA – A DIVINE DIVA https://asingh2019.blogspot.com/2019/01/rekha-divine-diva.html?m=1

Anuradha Singh (2019). PARVEEN BABI IN - IN REMEMBRANCE

https://asingh2019.blogspot.com/2019/01/parveen-babi-in-remembrance.html?m=1

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Anuradha Singh

Contact email a.singhlink@gmail.com


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